the opening piece of "The First Elegy"

Who, if I cried out, would hear me among the Angelic Orders?
And even if one were to suddenly
take me to its heart, I would vanish into its
stronger existence. For beauty is nothing but
the beginning of terror, that we are still able to bear,
and we revere it so, because it calmly disdains
to destroy us. Every Angel is terror.
And so I hold myself back and swallow the cry
of a darkened sobbing. Ah, who then can
we make use of? Not Angels: not men,
and the resourceful creatures see clearly
that we are not really at home
in the interpreted world. Perhaps there remains
some tree on a slope, that we can see
again each day: there remains to us yesterday’s street,
and the thinned-out loyalty of a habit
that liked us, and so stayed, and never departed.
Oh, and the night, the night, when the wind full of space
wears out our faces – whom would she not stay for,
the longed-for, gentle, disappointing one, whom the solitary heart
with difficulty stands before. Is she less heavy for lovers?
Ah, they only hide their fate between themselves.
Do you not know yet? Throw the emptiness out of your arms
to add to the spaces we breathe; maybe the birds
will feel the expansion of air, in more intimate flight.


Rainer Maria Rilke

Sonnet XVII

I do not love you as if you were the salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.


Pablo Neruda

Words

Be careful of words,
even the miraculous ones.
For the miraculous we do our best,
sometimes they swarm like insects
and leave not a sting but a kiss.
They can be as good as fingers.
They can be as trusty as the rock
you stick your bottom on.
But they can be both daisies and bruises.

Yet I am in love with words.
They are doves falling out of the ceiling.
They are six holy oranges sitting in my lap.
They are the trees, the legs of summer,
and the sun, its passionate face.

Yet often they fail me.
I have so much I want to say,
so many stories, images, proverbs, etc.
But the words aren’t good enough,
the wrong ones kiss me.
Sometimes I fly like an eagle
but with the wings of a wren.

But I try to take care
and be gentle to them.
Words and eggs must be handled with care.
Once broken they are impossible
things to repair.



Anne Sexton

Another Long Night In The Office Of Dreams

There’s a woman I’m in love with, but I forget
what she looks like, so I take out my paintbrushes
and create my image of her.

Your eyes are blue like the morning of going.
Your ears are tender twists of logic. Your thighs
are impossible avenues my car swerves out of control on.

I want to cut the silence with one of your shoulderblades,
blow moon-shaped kisses to orbit your skull
as you sleep on the highest ledge of my insomnia,

but I’m a broken promise in a pawn shop,
and this is just a secret that happens to involve you.

Jeffrey McDaniel

The Obvious

We didn’t deny the obvious,
but we didn’t entirely accept it either.
I mean, we said hello to it each morning
in the foyer. We patted its little head
as it made a mess in the backyard,
but we never nurtured it.

Many nights the obvious showed up
at our bedroom door, in its pajamas,
unable to sleep, in need of a hug,
and we just stared at it like an Armenian,
or even worse – hid beneath the covers and pretended not to hear its tiny sobs.

Jeffrey McDaniel

if you and i awakening

if you and i awakening

discover that (somehow
in the dark) this world has been
Picked, like a piece
of clover, from the green meadow of

time

lessness; quietly
turning
toward me the
guessable mirrors which your eyes are

You will communicate a little

more than twice all that
so
gently
while we were asleep while
we were each other disappeared: but i

slightly

smiling,
gradually shall reenter the

singular kingdom

(sleep)



.while some
thing else
kisses busily
a
memory, which how exquisitely
flutters in

the cornerless tomorrow



e.e. cummings

i carry your heart with me

i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
And the sky of the sky of a tree called life; which grows
higher than soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart

i carry your heart (i carry it in my heart)

e.e. cummings